So you look at the old masters, and you see the effortless curve of a hand, sketched in six seconds but full of casual transcendence; the breathing of living fleshy reality into squiggly pencil lines via dead paint that glows with the light that only bloody capillaries sheathed in skin can provide, and you want to consume, to put it all in your mouth and bite down, suck on the fleshy fatrolls of Rembrandt's nudes, crunch and break your teeth on Bernini's The Rape of Proserpina (the hand! the hand indenting her flesh!);so that you'll have all of these inside you to vomit up out through every orifice and pore and onto paper at will. So all of t